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rococo furniture

  • 1 rococo

    [rə'kəʊkəʊ] 1.
    aggettivo rococò
    2.
    nome rococò m.
    * * *
    rococo /rəˈkəʊkəʊ/
    a. e n.
    ( arte, archit.) rococò: rococo furniture, mobili rococò.
    * * *
    [rə'kəʊkəʊ] 1.
    aggettivo rococò
    2.
    nome rococò m.

    English-Italian dictionary > rococo

  • 2 rococo

    rəuˈkəukəu
    1. сущ.
    1) рококо (стиль в искусстве XVIII в., отличающийся изысканной сложностью форм и причудливыми орнаментами)
    2) что-л., выполненное в стиле рококо
    2. прил.
    1) в стиле рококо rococo furnitureмебель в стиле рококо
    2) чрезмерно украшенный, пышный, вычурный Syn: ornate, intricate, florid
    3) старомодный, устаревший She is a bit rococo in manner. ≈ Она несколько старомодна в проявлениях своих манер. Syn: old-fashioned, antiquated стиль рококо в стиле рококо безвкусно пышный, вычурный, претенциозный устаревший rococo безвкусно пышный, вычурный, претенциозный ~ в стиле рококо ~ стиль рококо ~ устаревший

    Большой англо-русский и русско-английский словарь > rococo

  • 3 rococo

    English-Norwegian dictionary > rococo

  • 4 rococo

    1. [rə(u)'kəukəu] сущ.
    а) иск. рококо (стиль в искусстве 18 в., отличающийся изысканной сложностью форм и причудливыми орнаментами)
    б) что-л., выполненное в стиле рококо
    2. [rəu'kəukəu] прил.
    1) иск. в стиле рококо
    2) чрезмерно украшенный, пышный, вычурный
    Syn:
    3) старомодный, устаревший

    She is a bit rococo in manner. — Её манеры несколько старомодны.

    Syn:

    Англо-русский современный словарь > rococo

  • 5 Chippendale, Thomas

    [br]
    baptized 5 June 1718 Otley, Yorkshire, England
    d. 13 November 1779 London, England
    [br]
    English cabinet-maker who published the first comprehensive book of furniture.
    [br]
    Thomas Chippendale was the son of a carpenter. The business that he set up in London was so well established by 1753 that he was able to move to larger premises—a workshop, timberyard and shop—in the furniture-making centre of London, at 60–62 St Martin's Lane. In 1754 he published his folio work The Gentleman and Cabinet-Maker's Director, which contained illustrations of every conceivable type of furniture. No previously published book was as comprehensive. The Director, as it came to be called, made Chippendale famous and he became the best known of all such English craftsmen and designers. Further editions of the book followed in 1755 and 1762.
    Stylistically most of the furniture designs in the Director followed the contemporary rococo fashion, but a number followed other popular themes such as the so-called "literary Gothic" and chinoiserie. Indeed, the Chinese versions became so well known that such furniture became known as "Chinese Chippendale". Chippendale's later work was more neo-classical, much of it produced at the request of Robert Adam for the many great houses whose interiors he was re-designing in the 1760s and 1770s.
    From a technical viewpoint, Chippendale's furniture was made from a variety of woods and incorporated diverse decoration. Mahogany was the fashionable wood of the age, particularly during the middle years of the eighteenth century, and lent itself especially to the fine and elaborate carving that characterized Chippendale's intricate chair and settee backs. By the later 1760s other woods were also often in use, sometimes gilded and turned, sometimes inlaid with materials such as ivory or ceramic plaques and fine ormolu mounts. Later still, painted designs were applied to panel surfaces. Alternatively, a delicate form of marquetry had been fashionably revived.
    [br]
    Further Reading
    C.Gilbert, 1972, The Life and Work of Thomas Chippendale: Studio Vista.
    1986, Dictionary of English Furniture-Makers, The Furniture History Society and W.F. Maney.
    DY

    Biographical history of technology > Chippendale, Thomas

  • 6 Boulle, André-Charles

    [br]
    b. 11 November 1642 Paris, France
    d. 29 February 1732 Paris, France
    [br]
    French cabinet-maker noted for his elaborate designs and high-quality technique in marquetry using brass and tortoiseshell.
    [br]
    As with the Renaissance artists and architects of fifteenth-and sixteenth-century Italy, Boulle worked as a young man in varied media, as a painter, engraver and metalworker an in mosaic techniques. It was in the 1660s that he turned more specifically to furniture and in the following decade, under the patronage of Louis XIV, that he became a leading ébéniste or cabinet-maker, In 1672 the King's Controller-General, Jean-Baptiste Colbert, recommended Boulle as an outstanding cabinet-maker and he was appointed ébéniste du roi. From then he spent the rest of his life working in the royal palaces, notably the Louvre and Versailles, and also carried out commissions for the French aristocracy and from abroad, particularly Spain and Germany.
    Before the advent of Boulle, the quality furniture made for the French court and aristocracy had come from foreign craftsmen, particularly Domenico Cucci of Italy and Pierre Colle of the Low Countries. Boulle made his name as their equal in his development of new forms of furniture such as his bureaux and commodes, the immense variety of his designs and their architectural quality, the beauty of his sculptural, gilded mounts, and the development of his elaborate marquetry. He was a leading exponent of the contemporary styles, which meant the elaborately rich baroque forms in the time of Louis XIV and the more delicate rococo elegance in that of Louis XV. The technique to which Boulle gave his name (sometimes referred to in its German spelling of Bühl) incorporated a rich variety of veneering materials into his designs: in particular, he used tortoiseshell and brass with ebony. Even greater richness was created with the introduction of an engraved design upon the brass surfaces. Further delicate elaboration derived from the use of paired panels of decoration to be used in reverse form in one piece, or two matching pieces, of furniture. In one panel, designated as première partie, the marquetry took the form of brass upon tortoiseshell, while in the other (contre-partie) the tortoiseshell was set into the brass background.
    [br]
    Further Reading
    J.Fleming and H.Honour, 1977, The Penguin Dictionary of Decorative Arts: Allen Lane, pp. 107–9.
    1982, The History of Furniture: Orbis (contains many references to Boulle).
    DY

    Biographical history of technology > Boulle, André-Charles

  • 7 decoration

    [ˌdek(ə)'reɪʃ(ə)n]
    сущ.
    1) украшение; убранство
    Syn:
    2) архит.; = interior decoration отделка интерьера, внутреннее убранство
    Syn:
    3) брит. (косметический) ремонт (в комнате, квартире)
    4) ( decorations) праздничное убранство; праздничные флаги, гирлянды
    5) награда, орден, знак отличия

    to write smb. up for a decoration — рекомендовать кого-л. к награждению

    Англо-русский современный словарь > decoration

См. также в других словарях:

  • furniture — furnitureless, adj. /ferr ni cheuhr/, n. 1. the movable articles, as tables, chairs, desks or cabinets, required for use or ornament in a house, office, or the like. 2. fittings, apparatus, or necessary accessories for something. 3. equipment for …   Universalium

  • Rococo Style — • A discussion of this whimsical style, its origins and uses Catholic Encyclopedia. Kevin Knight. 2006. Rococo Style     Rococo Style     † …   Catholic encyclopedia

  • rococo — 1836, old fashioned, from Fr. rococo, apparently a humorous alteration of rocaille shellwork, pebble work from M.Fr. roche rock, from V.L. *rocca stone. Specifically of furniture or architecture of the time of Louis Quatorze and Louis Quinze,… …   Etymology dictionary

  • rococo — ► ADJECTIVE 1) relating to an elaborately ornate late baroque style of European furniture or architecture of the 18th century, characterized by asymmetrical curves, scrollwork, and decorative motifs. 2) (of music or literature) highly ornamented… …   English terms dictionary

  • Rococo — For other uses, see Rococo (disambiguation). Rocaille redirects here. It is not to be confused with Rocailles. Pair of lovers group of Nymphenburg porcelain, c. 1760, modelled by Franz Anton Bustelli …   Wikipedia

  • Furniture — For the UK band, see Furniture (band). A dining table for two Furniture is the mass noun for the movable objects intended to support various human activities such as seating and sleeping in beds, to hold objects at a convenient height for work… …   Wikipedia

  • furniture — I (New American Roget s College Thesaurus) Movable equipment for office, home, etc. See also light, music. Nouns 1. furniture, [home] furnishings, household effects, movables. 2. seat, throne, dais; [Adirondack, Bath, Barcelona, barber, basket,… …   English dictionary for students

  • Rococo style — or Late Baroque Style in interior design, the decorative arts, painting, architecture, and sculpture that originated in Paris in the early 18th century. The word Rococo is derived from French rocaille, denoting the shell covered rockwork used to… …   Universalium

  • rococo — [[t]rəko͟ʊkoʊ, AM ro͟ʊkəko͟ʊ[/t]] N UNCOUNT: oft N n Rococo is a decorative style that was popular in Europe in the eighteenth century. Rococo buildings, furniture, and works of art often include complicated curly decoration …   English dictionary

  • rococo — ro|co|co [rəˈkəukəu US rəˈkoukou] adj [Date: 1800 1900; : French; Origin: rocaille decorative work using stones , from roc rock ] rococo buildings and furniture have a lot of curly decoration and were fashionable in Europe in the 18th century …   Dictionary of contemporary English

  • rococo — [rə kəʊkəʊ] adjective 1》 relating to or denoting an elaborately ornate late baroque style of European furniture or architecture of the 18th century, characterized by asymmetrical patterns involving motifs and scrollwork. 2》 (of music or… …   English new terms dictionary

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